I write like
David Foster Wallace
David Foster Wallace
I Write Like by Mémoires, Mac journal software. Analyze your writing!
I Write Like by Mémoires, Mac journal software. Analyze your writing!
Moving us even further in this direction is Hutchins' discussion of star charts and constellations. Star charts could certainly be seen as a sign system. We attach labels to stars or collections of stars in order to ascribe meaning consistently. They are signifying and interested in meaning. In this superimposition of internal ["the ability to identify the linear constellations"] and external ["the arrangement of stars in the heavens"], elements of the external structure are given culturally meaningful relationships to one another.Constellations are also very much about meaning. However, they are also very much about actions and effects. As Hutchins argues, it makes very little sense to judge a navigational representation based solely on their accuracy or ability to convey meaning. Hutchins makes this point by comparing Western navigation traditions with those of Micronesian ones (and they differ quite a bit in several key aspects). In addition to demonstrating the operational bias of previous ethnographic work on navigation and its misrepresenations (yes) of Micronesian navigation, this comparison draws out the asignifying thrust of navigational signs. Accuracy takes a back seat to what Lewis (quoted in Hutchins) calls "the stern test of landfall." Micronesian navigators, for instance, invent phantom islands is order to aid navigation. That is, they create signs that represent nothing. They are asignifying signs created solely to achieve a particular effect. Meaning makes sense not only in terms its ability to accurately translate geographical features into geometric lines. The meaning makes sense in terms of its ability to activate successful navigation.
in terms of linear constellations is a simple representational artifice that converts the moving field of stars into a fixed frame of reference.And while Hutchins uses "representation" here, I would argue he has in mind something much more like symbolic action. Constellations are not simply or only labels, they are a conceptually framework that does something out in the world to enable a certain kind of action.
This seeing is not a passive perceptual process.But constellations are also signs that ascribe meaning. They are, as Hutchins writes, representations.
I am reading Debra Hawhee's Moving Bodies: Kenneth Burke at the Edges of Language and listening to Will in the tub a room over. His "talk" drives home a crucial point about rhetorical action. Far from simply labeling and naming things, which is what we, as parents, often want or think children to be doing, Will is trying to do things in, with, and to the world. He is expressing an attitude, his body's"emotive energy and purposive action" (113).We watch Will—as an infant becoming a toddler—at the edges of language. He knows now what we all too soon forget: we are bodies (that learn language) moving in the world.